Semester+1

1. August 13, 2011 //Pig// by Roald Dahl (a poem more like a children's story; directly reveals the message; interesting perspective)

2. August 15, 2011 //Dead Brother Superhero// by Michael Dickman (very interesting structure, felt like I was watching an adventure movie)

3. August 17, 2011 //The Cord// by Leanne O'Sullivan (contents easy to sympathize with - about a teenager going through rebellious period. intersting use of figurative language - a lot of similes and some metaphors)

4. August 18, 2011 //The Summer I Was Sixteen// by Geraldine Connolly (use of first person voice and content about teenagers, and reference to daily objects and activities evokes sympathy.excitement conveyed through portraying teenagers playing happily)

5. August 20, 2011 //Nights// by Kevin Hart (3 stanzas each containing 4 lines - organized structure. really poetic and sounds lyrical as well. contents very emotional - sounds like a letter written to oneself, reflecting on one's life viewing the night sky, as if talking to the stars. some confusion in the life's path is conveyed.)

6. August 22, 2011 //In a Boat// by D. H. Lawrence (a poem about love. "love" appears in every stanza, and adds a romantic sense to the poem. mentions pure water, sky, stars and heaven - all adds sense of romance and love)

7. August 23, 2011 //Afternoon Memory// by Gary Soto (uses every day experience to reflect on the passage of time and aging. interesting self-questioning and answering structure.)

8. August 25, 2011 //Bird// by Pablo Neruda (sense of freedom conveyed; many 's' sounds - none in the first paragraph, a lot of them in second paragraph: so, stayed, suspended, sun, springs, swallows, shining, small)

9. August 27, 2011 //A Party of Lovers// by John Keats (a poem narrating several incidents in one party: 1. the apathy of people in the party: sit '[pensively]', with 'languid' eyes, 'nibble' their toasts, drink with 'sighs' - good word choice conveying the indifference of the people; 2. happy people excited in the party; 3. pays attention to trivial being - a fly - illustrating the harshness of human society, and some 'inhumane' qualities of humans (paradox); 4. conversation between two people; many different events going on during the party are discussed in 23-line poem, thus I was a little confused with what the poem wants to tell the audience, and I didn't quite understand the messages that the poet want to get across the the audience) Just many different people in the world...the party as a microcosm?

10. August 28, 2011 //They were Too Poor for Buttons// by Ellie Evans (anecdotal, felt like reading a very short story; telling daily events; first person narrative renders a sense of familiarity; many color references: a cardian 'blue' as Quink ink, 'yellow' walnut buttons, 'scarlet rose' in a mohair mix, 'silver' paper she'd saved from a cigarette packet and used to line her pencil box, the 'lettuce-green' of the blanket stitch around her cuffs - vivid visual imagery)

11. August 29, 2011 //Bride of the New Dawn// by Laura Mullen (written in a long paragraph form, first impression more like a very short story like the one I read yesterday - They were Too Poor for Buttons; full of paradox - interesting story)

12. August 31, 2011 //Bad Day// by Kay Ryan (interesting structure: all the lines are very short - only contains 2 to 4 words, no appearance of comma, only 4 complete sentences in the poem in tota. continuous emphasis on 'day', as with the title of the poem. interesting rhythm with few words in each line.)

13. September 1, 2011 //Remora, Remora//by Thomas Lux (interesting word choice: (the ones in the brackets) moron, idiot, imbecile, nincompoop, interesting use of size, magnification-related words - small [fish], great sea..., oxymoron - the top beneath all else - indicates the blue current at the top of the ocean, which is actually beneath all the land areas)

14. September 3, 2011 //Gratitude to Old Teachers// by Robert Bly (euphemistic sounds - all the lines but the last two starts with 'W', producing a round, soft sound and thus setting a calm and smooth atmosphere to the poem. especially applicable poem to me - I am a senior who will soon leave high school and the teachers that I learned from, and in the future, all the teachers that taught me will be my 'old teachers'. good figurative language describing the help which teachers give to their students) //Correction: those teachers will be your "former" teachers. No comment on how old they are.//

15. September 4, 2011 //How to Change a Frog Into a Prince// by Anna Denise (short poem based on a fairy tale, literally on 'how to change a frog into a prince' - intriguing title which drew my attention. narrative very colloquial as if telling the tale to young children - several imperative sentences: be gentle, avoid ~, do not use ~, relax: creative way of transforming a fairy tale into a very short poem)

16. September 7, 2011 //As I Grew Older// by Langston Hughes (makes me think seriously about my dream and my future path that lies ahead of me, and possible hardships that might keep me from achieving those dreams; direct reference to "black" - thinking of the restrictions put on them in the early years of US, this poem sounds more desperate - search for dream but failure due to external limitations. descriptions of the speed (slowly) and places (wall) create a vivid imagery)

17. September 8, 2011 //Alone// by Edgar Allan Poe (use of first person voice adds the feeling of suffering and frustration; rhyme scheme creates steady rhythm; repetitions and enumerations also add to the feeling of suffering - listings of the comparisons that he make using his life and some of the nature's elements)

18. September 10, 2011 //There is another sky// by Emily Dickinson ("serene","fair" - calm, "sunshine", "ever green", "brighter" - bright, hopeful; generally peaceful tone. uses of comma, and semi-colons in all but one line - creates interesting rhythm)

19. September 12, 2011 //The Road Not Taken// by Robert Frost (contents are related to my/our(seniors!) current situation: we are about to make one of the life's most important decisions. literal meaning of 'roads' used to mean different paths in life. the breaks and separtions of line create smooth rhythm) Exciting, eh?

20. September 13, 2011 //Pebble// by Zbigniew Herbert (//Translated by Peter Dale Scott and Czeslaw Milosz)// (interesting choice of topic; ordinary, and negligble thing - described with words such as "perfect", "dignity", "calm", "clear"... very interesting way of looking at a common object)

Checked 18 September 20/15-25 KBoyce Diverse collection with solid commentary.

21. September 18, 2011 //I'll Remember This Autumn// by Leonardo Sinisgalli (translated from the Italian by W. S. Di Piero) (vivid imagery throughout the poem, along with the use of figurative language: 'autumn' is personified, as something that is 'gleaming and skittish in the migrant light, curves in the wind across...'; breaks in lines create many pauses, somewhat irregular rhythm. 'autumn' is used as a source of reminiscence about the speaker's parents past - then linked back to the present, 'explode', 'blazing' - strong verbs/adjectives convey the father's avidness towards his dream)

22. September 19, 2011 //Beginning// by James Wright (personification of natural elements: moon, wheat - quiet, calm but nervous at the young moon's attempt - metaphorical description of young people reaching out for their dreams. "I do not dare breathe or move" adds to the saintly mood which characterizes the process of stepping up. long sentences followed by short sentences - long sentences narrate the contents, short sentences conveys the intensity of the tension which characterizes the moon's tries. contents figuratively describing people's cautious yet bold attempts when starting something new)

23. September 19, 2011 The Blindman's Song by Ranier Maria Rilke (use of first person voice adds sincerity to the speaker's expressions; diction conveys his resignation and depression due to the blindness "curse", "contradiction", "tiresome farce", "despair". describes everything to be same as he cannot distingush the difference without sight - "colorless hand on colorless sleeve", "can't tell what's cying". speaker explains his reasons for not being so amiable - revealed through his discontent voice throughout the poem - due to the fact that he is blind. he envies people who can see and believes that the ability to see "tempts [them] to be kind". direct use of "you" adds his desperation in his current state. uses of interrogative voice reveals his dissatifaction towards the unfair situation in which he's suffering in.)

24. September 20, 2011 //Transatlantic, 3:00 AM// by Greg Vargo (one long sentence in the first stanza - enumeration of all the common reasons for waking up in the morning and then revealing the real reason "but only by this trick of the hours" adds randomness which the hour in the title conveys. juxtaposition of people with dissimilar professions in the second stanza - emphasize the common characteristic present in everyone "loneliness". the last stanza - metaphorical expressions contrast the qualities that people don't usually find in morning/afternoon time and night time and stresses the speaker's perception of the time 3:00 AM)

25. September 21, 2011 //Choosing to Think of It// by Stephen Dunn (as the title of the poem suggests, the poem views the world in different views, depending on choosing to think of the world; good use of metaphor and simile throughout the poem for describing what it would be like to be something else other than human being. interesing breaks for comparison of two different perspectives of seeing one same event/situation. use of strong declarative voice adds conviction/certainty to the speaker's claims about life)

26. September 25, 2011 //I've a Pain in my Head// by Jane Austen (very famous novelist - this poem tells a story; short 16-line poem, composed of multiple dialogues between two characters: Miss Beckford and her Doctor about Beckford's illness; each line is very short - one line of dialogue, description of the speaking voice/person; rhyme scheme ABAB conveys a sense of organization in the conversation between the two characters; somewhat flattering words (respectful - 'Ma'am', somewhat adulatory - 'what a praise worthy notion') of the Doctor reveal some information about the relationship about the two characters - Miss Beckford probably possess some wealth)

27. September 25, 2011 //Mock Panegyric on a Young Friend// by Jane Austen (distinguished use of figurative language - including extended metaphor - throughout the poem; the beginning of the poem reflects the title MOCK panegyric, as the words dedicated to the friend are in a 'measured verse'; very exagerrated descriptions and enumeration of praises on her admirable qualities convey sense of mockery)

28. September 26, 2011 //Go On// by Lisa Zaran (first reaction: very intersting structure, composed of short lines and short stanzas; a poem about the life of a common woman - from being born to everyday occurrences such as raising children, eating...... contents applicable to basically every woman's life; very cynical voice in describing the courses of life: tells the 'woman' in the poem to go on - as the title suggests -, whatever happens in her life. enumeration of the phrase 'go on' adds to the speaker's feeling of scorn towards life, then at the very end, there is a sudden, unexpected change in the attitude - Wait, then Hold On. suggests shift in the speaker's perspective on life)

29. September 28, 2011 //Girl// by Lisa Zaran (mainly conveys innocence and purity of a young girl; describes the girl's daily activities - descriptions contain the girl's use of metaphor that convey the girl's creativity and childlike qualities; hopes expressed by the girl reflect the contrast between dream and the reality)

30. October 6, 2011 //IMPOSSIBLE// by Sharon Esther Lampert (interesting juxtaposition of hopes of people and the reality. repetitive, organized structure in 3 stanzas "It is impossible to~/Without~", followed by the last line with capitalization of IMPOSSIBLE/BREATHE/EAT/LOVE - stressing the key words and the theme of the poem. Lines get longer down the poem - increase in the importance in our lives, more relevant to the poem's theme?)

31. October 7, 2011 //Cafe Comedy// by Robert William Service (nice last name!) (quite lengthy poem, narrating a short story of a man and a woman in three different perspectives - woman/man/3rd person narrative. Woman: very detailed, honest account of the emotions and feelings; repetitive appearance of the word "funny" - correspond to the title of the poem, Cafe "Comedy". good use of punctuation - adds to the detailed narration of the woman's feelings. Man: similar chracteristics as the woman's narration of her feelings; Overall: rhyme scheme makes the poem seem more lyrical, creating a rhythm; interesting story of two people falling in love after all their worries about their deceptions)

32. October 7, 2011 //Bones// by Walter de la Mare (very similar to //I've Pain in my Head// by Jane Austen - a doctor and his patient talking about the patient's illness. rhyme scheme ABCB. humorous - bone extraction described as a "simple cure", done very quickly". repetition of "Thank you" then going away - ordinary - adds to the humor)

33. October 8, 2011 //Happiness// by Elisabeth Frost (first person narrative - feels like someone is actually talkting to me 'see', 'now say'...... italicized key words of the poem draws attention. the contents reflect reality - nowadays, while most people say that they strive for happiness, they don't really welcome/greet happiness. use of metaphorical language [word flower] in describing various connotations/different interpretations of words - 'a thing in words turns and flowers...'. repetition of happiness stresses the speaker's conviction in that mere word could contribute in bringing real happiness to human lives)

34. October 10, 2011 //Giving Myself Up// by Mark Strand (repetitive sentence structure evident: "I give up my~"; enumeration of body parts convey that the speaker is willing to give up every bit of himself; noted use of extended metaphor - all the body parts are compared to other things using metaphors; change in the structure at the end - draws attention and conveys the main message of the poem - even after giving up/losing everything, starting all over again is equivalent to not really having lost anything)

35. October 12, 2011 //Beggars and Kings// by W. S. Merwin (while beggars suffer from their lack of physical wealth, they still do have hopes 'find the sun in each one' - sun symbolizing something bright, hopeful; other people who are not beggars may seem to live a happy life with abundant physical wealth, but the pains are always present - may still be hidden and unknown to each individual yet; simile at the end - like a finger in a world without hands - fingers cannot function/fulfill their role if there are no hands)

36. October 13, 2011 //Her Sister's Dress// by Raymond A. Foss (I found this poem under the category of 'graduation poems'. The entire poem is in one sentence, separated by lines and one comma. the 'dress' is the object which represents the passage of time - same dress is used twice over the two years, marking the 'milestone' on 'digital frame'

37. October 16, 2011 //Romance// by Robert William Service (this is the second Service's poem that I read. similar to //Cafe Comedy//, this poem narrates a love story, as suggested by the title //Romance//. this poem also has a rhyme scheme, of ABAB througout the poem. some interesting changes to the endings of some words to keep the rhyme scheme - mannie, grannie, Paree (instead of Paris); overall, an interesting poem!)

38. October 19, 2011 //Fear and Logic// by David Hernandez (24-line poem divided into 12 stanzas each with two lines. each lines are about the same length, so the external structure appears very organized. the poet enumerates all the deceptions and tricks - negative aspects - with images/symbols that render a sense of darkness - blood, death, charcoaled, spooked, hoodwinked, dusted.... then the whole interpretation changes to positive aspects, regarding all the previous negative interpreations as a dream. in the later part of the poem, fairy tale-like images are used to convey a sense of peace and hopefulness - sun, green hills, river (flowing back, upwards), magician. however, at the end, the poem ends with the phrase 'as it always will to our eyes when they are closed', indicating that everything would seem great and good when people are ignorant of the things happening around them, but when they actually see and recognize what's happening, they will realize that they have been decieved, tricked, and hoodwinked, as suggested by the first part of the poem.)

39. October 20, 2011 //The Having to Love Something Else// by Russell Edson (a poem with an interesting title and contents, narrated in a form of a prose, including dialogues. the poem seems to convey that everything in the world is occupied by someone else, thus it is hard to look for something to love, and there is a need to love something else.)

40. October 22, 2011 //Design// by Robert Frost (a poem with a simple title; has a rhyme scheme of ABBA; steady rhythm throughout the poem convey a sense of comfort to the readers; juxtaposition of two seemingly contrasting concepts - ironic: death and blight, flower and froth, dead wings and paper kite; series of rhetorical/interrogative sentences and the last sentence 'if design govern in a thing so small' at the second stanza convey the central message of the poem that what seems to be revealed from external appearance may not be always correct)

41. October 23, 2011 //My Favorite Foreign Language// by David Kirby (contents very intersting and narrated as in a short prose, including dialogues between two people in the beginning which lead to the speaker's generalizations and stereotypes about those who use the languages: 'cooks are French, the mechanics German, the police English, lovers Italian, and it's all organized by the Swiss' in Heaven - orderliness, 'whereas in Hell, the cooks are English, mechanics French, police Germans, lovers Swiss, and everything is organized by the Italians, which leaves out the Spanish' - change in roles means confusion (hell); the poem is full of interesting descriptions of people and languages; the speaker states that we shouldn't really call any of the languages to be 'foreign' as that means there's only one real language - if foreign is used as an antonym for domestic, foreign can sure be used to describe other nations' languages, but if foreign has a connotation of something inappropriate, the speaker's claims do somewhat reflect some thought)

42. October 25, 2011 //The Book// by Linda Pastan (title, //The Book// - extended metaphor to describe the sadness and depression experienced in people's lives; the first line: the book of shadows - book is a metaphorical expression of life, shadows describe the faulty and adverse sides of life; as more pages of the book of shadows are flipped, it gets brighter and brighter - progression and improvement occur as life goes on; however, in the second stanza, turning the pages of the book becomes heavier under the numbed fingers - even though it might get brighter, the actions needed are so demanding and difficult, causing the fingers - possible description of humans trying to take actions - to feel numb; in the end, people eventually return to the shadows - the darker side, which are weightless)

43. October 27, 2011 //Cool Tombs// by Carl Sandburg (repetitive structure - 'in the dust, in the cool tombs' repeated at the end of each stanza. "cool" contains a connotation of something lacking warmth and liveliness - thus suitable for describing tomb in which cold, dead bodies are buried. under the cool tomb, in the dust, it is described that everyone loses his/her personal identity, memory, personality and everything that he/she had in his/her lifetime. Abraham Lincoln, Ulysses, Pocahontas - representative of greatness, beauty... all lost when he/she buried in the tomb.)

44. October 28, 2011 //Final Jeopardy// by David Salner (it was a very, very, very difficult poem to comprehend for me, because the entire 24 line poem is in one sentence, with no punctuations throughout the poem and only one question mark at the end of the poem. Include various daily, common events and describe the darkness approaching. somewhat lengthy, tedious enumeration various events then finally at the very end, there is one question. since there is no pucntuation throughout the poem except for the one quesiton mark at the end, I was curious about the ultimate message the poem tries to convey, and continued reading the poem until I found a place to breathe - no pauses in the lines! - and then look over what I've read until that last part. after all the list of things that might be risky, one final question like the final jeopardy - which the title suggests.)

45. October 31, 2011 //The Hag// by Robert Herrick (a spooky, mysterious halloween poem for today! the title //Hag// suggests that the poem will be about something magical and mysterious. Interesting juxtaposition of contrasing words throughout the poem - 'through thick, and thin', 'now out, and then in', 'on land and on seas'... constant use of dark image - thunder, storm, ghost, night... 4-stanza poem, each stanza containing 6 lines of same structure: 2 indented lines merely describing the visible event/what is happening, then the third line provides an explanation, then this 3 line occurs again in each stanza. Overall, neat structure and interesting imagery conveying darkness - suitable for Halloween?!)

46. November 1, 2011 //November// by Thomas Hood (the entire poem is a whole list of 'no's, starting from no sun, no moon, no morn, no noon... often, two or more subjects/objects presented consecutively are related in some ways: sun-moon, morn-noon, mail-post, warmth-cheerfulness... some depictions reflect the surroundings during the month Novmber - as the season is changing, the temperature and the weather is also changing - it is getting darker, hence no sun, no warmth, and contrasting to the biodiversity during the summer, there are less fruits, flowers, leaves and birds in November. upon first look at the poem, the poem does not appear to contain any significant meaning - but after all, all these listed qualities are hyperbolic expressions of the characteristics of November, the second-last month of the year.

47. November 2, 2011 //Old Mama Saturday// by Marie Ponsot (the entire poem is a soliloguy of an individual expressing her thoughts. each line is simple, direct and short - neat speech. near the end of the poem, some figurative expressions appear - throwing out things which the speaker cares even if she does not need to care from her mind will 'empty' her and keep her asleep -mindless?. although she expresses her dissatisfaction towards things unworthy of thoughts and considerations, she still worries that they might be of some importnace and giving them up would eventually affect her senses later on.)

48. November 4, 2011 //I Don't Know If You're Alive Or Dead// by Anna Akhmatova (simple, direct sentences expressing the speaker's worries and affection towards her lover. the speaker seeks for her lover earnestly in the first stanza, questioning if the lover is still alive, or only existing in her thoughts. in the second stanza, the enumeration of actions devoted to her lover adds to the speaker's desperate search for her lover. in the last stanza, words starting with m and n are soft, but at the end of the poem, words such as betrayed, torture - cacophony. stating that the absence of lover tortures the speaker more than someone who betrayed her to torture, and someone who caressed her and forgot, again adds the deepness of her affection towards her missing lover.)

49. November 8, 2011 //To My Wife// by J. V. Cunningham (good use of nature imagery to illustrate the impact of passage of time on the changes in the emotions between the speaker and his wife. ABAB rhyme scheme creates a gentle rhythm along with smooth sounds created with the words starting with vowels and w's. overall, the poem sounds like a quiet confession of the speaker's love towards his wife.)

50. November 10, 2011 //The Rat's Tight Schedule// by Russell Edson (comical, humorous short story-like poem, with alternating dialogues between husband and wife. interesting description of rat's droppings as 'pieces' of the rat, and the wife's further interpretations of the implications of those droppings.)

51. November 11, 2011 //Ahihi Bay// by Floyd Skloot (notable use of color imagery throughout the poem - 'gray' morning, 'blue' water, 'yellow' tang, 'green' sea turtle, 'black' lava. color imagery help visualization of the scene created in the poem. many other literary features - simile, metaphor, analogy - used in depicting the scene of the bay.)

52. November 16, 2011 //River Crossing// by Brian Henry (mere act of crossing river is described as a difficult task - movement, current of water along with soil and stone present a challenge to people who must cross the river to get to the other end. however, at the end, slight change in attitude: eventually, the actual, physical crossing is not as important as the mind and thinking which allows one to cross the river with only using eyes. descriptions of scenery full of nature imagery)

53. November 16, 201tt1 //Face To Face// by Rabindranath Tagore (religious poem. repetition of 'lord' along with repetitive references to God as 'lord of my life', 'lord of all worlds', 'king of kings' and self-condescending attitude ('humble heart) establishes God's importance for the speaker. repetition of '(shall I stand before thee) face to face' (also in the title), also conveys the speaker's strong desire to meet the God and show the speaker's respect for the God.)

54. November 16, 2011 //Endless Time// by Rabindranath Tagore (consistent with the poem above, this is also a strong religious poem. again, the speaker shows a condescending attitude and conveys his respect towards the God, who posesses the 'endless time' in his hand. Passage of each 'day and night' are described using a simile, as flowers blooming and fading. at the end, the speaker states that while he is often afraid of the quick passage of the time, in the end, there is always more time left, as the supreme God possesses 'endless' time - this again establishes the greatness of God - worth worshipping and respecting.)

55. November 18, 2011 //Funeral Blues// by W. H. Auden (the first and the second stanzas describe the setting of the funeral - everything kept silent - no dog barking, no piano, no muffled drum, no telephone sound (no contact with the outside world), stopped clocks (even the passage of time is stopped and thus clocks make no sound) to add solemnity and thus convey respect towards the deceased. in the 3rd stanza, the speaker discusses the significance of the deceased to him/her - he/she includes various elements such as directions, days, and time periods to fully texplain the extent of how important the deceased was to her - he was indeed 'everything' to him/her. in the 4th stanza, every natural element - stars, moon, woods - is unwanted due to the sadness brought by the absence of his/her lover. good organization of the poem into 4 stanzas of similar structure, each containing related main idea about the deceased. enumeration used in each stanza serves to emphasize the poet's point in each stanza.)

56. November 24, 2011 Is It Time? by Vona Groarke (innocence and purity of children conveyed through out the poem; first stanza - colors blue and white convey the clarity of the children's thoughts and minds; figurative language descrbed as used by children - very creative, imaginative - all show childlike aspects.)

57. November 27, 2011 //Counting Sheep// by Linda Pastan (lengthy poem - few sentences with chopped lines; counting sheep may be a very boring experience - could be too boring to provoke sleep -> speaker goes beyond merely counting, and draws vivid pictures of sheep flock in her head - vivid visual imagery, then the image of sheep transform into other natural scenery - shore, grains of sand... highly imaginative.)

58. November 27, 2011 //Messy Room// by Shel Silverstein (very comical poem; the speaker blames the owner of a messy room, enumerating all the mess in the room. however, there is a twist at the end as the messy room belongs to the speaker himself. the twist at the end of the poem adds humor.)

59. December 2, 2011 //from the Female Man// by Joanna Russ (interesting title - contradictory statement, as female and man are two different genders. composed of several lines, but no distinct organization observed. lists characteristics that a person is likely to exhibit when he/she is frustrated. these characteristics are quite "feminine" as none of them involve violent action - more masculine/man-like, but rather portray passive attitudes - whining...)

60. December 2, 2011 //Snow Day// by Billy Collins (I decided to read a "snow poem" since it snowed for the first time in Beijing today :) portrays an image of a city covered with snow, with all schools/shops/offices/etc. closed. intersting description of staying in home on a snow day as being kept in prison. in the later part of the poem, the speaker's detailed description of the likely actions of the children convey the naiveity and purity of children excited by equally pure snow which covers everything under its white flakes.)

61. December 5, 2011 //Medusa in San Francisco// by William Winfield Wrights (the title is an interesting combination of a mythical figure and a current large city in US. the speaker's use of first person voice adds honesty/sincerity to the emotions and feeligns that he experience from his encounter with the woman he describes. intersting breaks in sentences used to strengthen the use of specific words - e.g. "What I am saying/is that a thousand times I smiled/..." break after 'saying' reveals his important point which is that he 'smiled' at the woman. the enumeration of emotions he experienced during his stay with the woman also reflect how deeply he was influenced by the woman.)

5 Dec 2011 61/45-75 :-)